To close the loop on this, you also find this way of looking at things in Alfred Hitchcock pictures, notably Vertigo, which doesn't so much eschew narrative as grow absent-minded about its existence, distracted by. He said / 'You take me and I'll be you' / 'You kill him and I'll kill her' / Kiss me." This is a similar way of looking at things to what one finds in David Lynch movies, dreams and fragments and an idea that narrative might exist, which is probably why the video mashup works so nicely. "I swear I didn't mean it / I swear it wasn't meant to be / Must a been a dream. Or narrative itself-the sense that narrative might exist. As musique concrete the open spaces are similar but the sense of a narrative is stronger in "Providence." In "Shadow of a Doubt" there is only the sense that a narrative might exist. Here it is distilled to one of its purest forms, jewel-hard and gleaming. I'm convinced it's the basis more than anything else of where people fall on this band. I love them, they always sound evocative and insinuating and lovely to me.
Yes, the strange tunings, it's always the strange tunings with Sonic Youth. It is an inspired mashup as indeed is this song itself, potent with popular culture imagery and currents. In my YouTube travels I found a nice homemade video ( here), made out of this song and scenes from Twin Peaks: Fire Walk With Me. This fascinating sound sculpture is mysteriously focused on Alfred Hitchcock movies-named after one, with plot points from at least one more woven into the whisper-chant from Kim Gordon.
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